In 1975, together with Alfredo Castelli and Mario Gomboli, he published Un fascio di bombe, a comic book study on the alleged strategy of tension, which was distributed by the PSI ( Partito Socialista Italiano ) with a circulation of 400,000 during the election campaign in the same year.
Milo manara il gioco 3 series#
At the latter magazine, which was discontinued in the early 1980s, he drew ten episodes of the series La Parola Alla Giuria ( The jury have the floor ) in 1975 based on models by Mino Milanis, in which the deeds of a historical figure ( Nero, Attila, Maximilien de Robespierre, Robert Oppenheimer, etc.) were retold and the readers were to decide at the end whether the persons had acted lawfully. Between 19 he drew the cheaply produced erotic pirate story Jolanda de Almaviva and made several comic strips for the Italian magazines Telerompo and Corriere dei Ragazzi. The architecture student at the time had previously been apprenticed to the Spanish sculptor Miguel OrtÃz Berrocal, which taught him a lot about the plastic representation of the human body. At the same time he drew posters for a Maoist artist collective called Miraculo. With regular drawings for two in Italy very popular, partly pornographic comic magazines of the genre fumetti neri (crime and satanic), he financed his architecture studies at the University of Venice between 19. At the beginning of his career, Manara, like many other illustrators, first devoted himself to painting and advertising before making his comic debut in 1969 with the crime thriller Genius.